
I was just about to give a lovely, little update on the super-carving-intensive, 9-color, single-plate, reduction linocut I had been working on for its debut at my first ever Sierra Art Trails in early October, when a series of unhappy, fire-related delays began. We’ve been evacuated or pre-evacuated 3 times in the last month, with the Junction Fire coming to within a half mile and the Scott Fire coming even closer. Luckily, the worst of the lot, the Courtney Fire stayed on the other side of the ridge. Welcome to life in the Sierras during its worst drought in recorded history.

While relieved and grateful for the heroic efforts of the firefighters, we feel tremendous sorrow for the many dozens of families displaced by these tragedies, some losing everything, including beloved pets and irreplaceable family heirlooms with their homes. Many others losing barns, vehicles, wellheads and outbuildings and more. The scars on the mountainsides will remind us of the dangers of fire for many decades to come.
So, knowing that there is much more I could say about this experience, from the helpless insecurity one feels to the wonderful feeling of knowing you actually belong to a community that cares for one other, I will leave it there.
So grateful to be working again. Happy to be interrupted several times, if it means that we were saved/spared equally as often. And I did actually produce my most finely detailed linocut to date! I am quite pleased, to be honest! Here’s how the carving and ink went down:
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This is the lino plate after the 2nd yellow was pulled, ready for the ochre. Still lots of carving to do on the nest if I want to avoid it looking flat.





I was happy to present my second Nest Series print, Bushtit’s Nest, in mid-September to the Sierra Art Trails Preview Gala Exhibit, where it will reside until October 6th with the other 100+ amazing participants of this 3-Day Open Studio Event! Sierra Art Trails is a chance to go exploring the home studios, galleries and other unique venues of amazing artists in the beautiful Sierra foothills in more than a dozen communities in Eastern Madera & Mariposa Counties. The catalog is the ticket for two and contains artist descriptions, photos, maps, & essential info for $18.00. I’ll have some on hand at the Studio!
What you will see at Red Tail Studios: Daily printmaking demonstrations, a tour of the studio, the chance to meet and see the work of Virginia Lazar and Steve Montalto, two very different, yet equally talented photographers. Please come by if you are on ‘The Trail’ this year!